Women Filmmakers Illuminate Cinema’s Societal Impact at 2024 Ajyal.

Doha: Women filmmakers at the 2024 Ajyal, presented by Doha Film Institute, are pushing the envelope in filmmaking through compelling stories that explore themes of universal resonance. Three important voices from the region, supported by the Institute, shared their creative journeys at the Festival. According to Qatar News Agency, among the women filmmakers at 2024 Ajyal, Hind Meddeb, who helmed this year's opening film, "Sudan, Remember Us" (France, Tunisia, Qatar), says it is a tribute to the poetic soul of the Sudanese revolution. "I witnessed the Sudanese movement from its beginning, and I wasn't afraid because I found myself in the midst of it," said Meddeb, during a media briefing at 2024 Ajyal. "The most beautiful revolution was the Sudanese revolution. It was powerful because art exploded with the revolution, and our young people talked to the world through my camera." Meddeb said the idea for "Sudan, Remember Us" started when she was working on her earlier documentary, "Paris Stalingrad," which fea tured a young Sudanese poet who came to Paris as a refugee. "The refugee center was under my house in Paris. I was shocked at the French racism towards them, and I got to be close friends with them. They encouraged me to go to Sudan and bring back images of the revolution since they couldn't go back." She said the film's title references "Azza," a powerful symbol in Sudanese poetry representing the nation itself through a woman who used to recite poetry to her imprisoned nationalist husband through his prison window - a testament to the longstanding relationship between poetry and resistance in Sudanese culture. Director Marjan Khosrav, whose film "Requiem for a Tribe" (Iran, Spain, Qatar) depicts the story of a woman in Iran who is pressured to settle in a city, also said the film's story was inspired by real life. "I met a woman crying for her children who moved from their hometown in the mountains to the city. This woman loved her heritage, culture, and arts and was upset that technology hindered nomad pe ople from practicing their arts." Meryam Joobeur, the director of "Who Do I Belong To" (Tunisia, France, Canada, Norway, KSA, Qatar), said it is important to take out the geo-political aspect of violence that is happening to dissect the cycle. "It is universal, and it is happening everywhere, so if you want to change the world, you should start with oneself." She said that after the Tunisian Revolution, the change created a sense of fear of the unknown. Nominated for a Golden Bear Award at the Berlin Film Festival 2024, her film, set in a remote Tunisian village, is about Aicha, whose quiet life with her husband and youngest son is shattered when her eldest son, Mehdi, returns home from war.